Showing posts with label Museum. Show all posts
Showing posts with label Museum. Show all posts

Thursday, December 4, 2025

Saturday in the Fall at the High

The High Museum of Art in Atlanta. Photo by me, November 2025.

 

The city was alive on a fall day on the first of November. There was a crispness in the air and spots of color in the trees except the ginkgos which awaited their seasonal cue to turn a brilliant yellow. People were on the sidewalk and there was traffic on the northern end of Midtown above 14th street. I arrived at the High Museum to a large wedding taking place next door at the fine stone First Presbyterian Church of Atlanta built in 1919 with stained glass windows by Tiffany and Nicola D'Ascenzo. An event was taking place in front of the Woodruff and it was bustling in the plaza outside the doors of the High. Atlanta was its better self and not shooting itself in the foot for a change.


I have been coming to the High since I was a child in the mid 1980s only a year after the gleaming white, curving Richard Meier designed building opened in 1983. Forty-two years later, I still like to admire the building and imagine it filled with exciting treasures from around the world. It has not lived up to those dreams, but I have seen some interesting touring or special exhibitions in my lifetime. The permanent collection outside of the modern and folk art has never inspired me. The architecture of the building rises higher than the art contained within. 

Photo by me, November 2025.


The atrium and the ramps that spiral around it are my favorite part of the building. As a child it felt like something special waited at the top, but the reality is that is that it is mostly scowling, unfriendly and bored security guards. 

Photo by me, November 2025.

I do not think they want you to enjoy this art unless you bring a ladder with you.
 
Somber corner. Photo by me, November 2025.

In 2018 the galleries of the permanent collection were redesigned and that was unfortunate. The galleries went from open, airy, spacious and easy to move through to cramped, darker and more prone to bottlenecks around blind corners. Some of the placement of the art is odd too. I found a Rothko painting hanging in a small, dark corner like it was an unloved lost child while much lesser known and important artists were taking up better spaces. The curatorial choices were very curious. Do not even get me started on how the museum treats photography with its dungeon basement gallery with low ceilings and a feeling reminiscent on an eighties office park for telemarketers. 

Photo by me, November 2025.

Photo by me, November 2025.

The folk art of Georgia artist Howard Finster is the highlight of the folk art gallery. Putting his religious messaging aside, I find undeniable happiness in his work. He makes me smile.

Photo by me, November 2025.

Photo by me, November 2025.

In the modern art galleries I was disappointed to find a sculpture in front of the Alex Katz painting of the trees and the bench moved far away. I cannot remember a visit where I have not sat on that bench and gotten lost in the trees. It was a kind of ritual of mine. The sculpture is a distraction and does not relate to the trees. Also, while the ceiling is beautiful, the lighting is far too dim now.

Photo by me, November 2025.

 

Cramped and dim like a hallway at Grady Hospital. Photo by me, November 2025.

After browsing the permanent collection I came to what brought me to the High, the special exhibition Viktor&Rolf Fashion Statements. The exhibition features the avant-garde fashion designs of the Dutch duo Viktor & Rolf and runs through early February 2026.

 

Photo by me, November 2025.

 

Photo by me, November 2025.

From the No collection, Autumn/Winter 2008-2009.

Photo by me, November 2025.

Photo by me, November 2025.

From the Bedtime Story collection, Autumn/Winter 2005-2006.

Photo by me, November 2025.

I have been to a number of fashion exhibits at the SCADfash museum, also in Atlanta, but this was my first at the High Museum. The museum did a phenomenal job with the presentation and it was fun.

Photo by me, November 2025.

 

Photo by me, November 2025.

Photo by me, November 2025.

Photo by me, November 2025.

From the The Fashion Statements collection, Spring 2019. The collection was inspired by social media. 

There have been numerous fashion exhibitions of Victor & Rolf since 1994 in Paris and around the globe. This marks the first one in Atlanta. Their work makes for good entertainment.

Photo by me, November 2025.

 
Photo by me, November 2025.

Photo by me, November 2025.

Photo by me, November 2025.


As much as one admires the craftsmanship and imagination, I enjoy the sense of humor present in these pieces.

Photo by me, November 2025.

Photo by me, November 2025.

 
Photo by me, November 2025.

Photo by me, November 2025.

There is a debate, perhaps less common these days, in the art and fashion worlds about whether fashion should be considered art. Karl Lagerfeld thought they were separate worlds. I do not have a firm opinion on whether fashion should be considered art, but I do enjoy fashion exhibitions at museums. The debate reminds me of the 1970s and whether photography was art and whether it was worthy of being collected. Sam Wagstaff was an early collector of photography and was instrumental in getting photography accepted into the art world. Wagstaff was also a lover and patron to Robert Mapplethorpe, both of whom would die of AIDS; Wagstaff in 1987 and Mapplethorpe two years later.

 

Photo by me, November 2025.


Photo by me, November 2025.

Photo by me, November 2025.

Photo by me, November 2025.

There are also sketches and photographs included in the exhibition. I loved that wallpaper. If department stores put as much as effort into their displays as they once did then I could see using a wallpaper such as that.

Photo by me, November 2025.

From the Monsieur collection, Autumn/Winter 2003-2004. 

Photo by me, November 2025.

Photo by me, November 2025.

Photo by me, November 2025.

Though it looks like it would be very heavy to wear, I was taken by this design. It has a post industrial, Eastern Bloc chicness. 

Photo by me, November 2025.

 
Photo by me, November 2025.

Photo by me, November 2025.

The space was wonderfully designed and lighted. The clothes popped from the background.

Exhibitions such as this one offer the viewer fantasy. There is some snobbery too, is there not always at an art museum, as this is not an exhibition featuring Abercrombie & Fitch clothes. Though I would certainly enjoy an exhibition of the fashion photography of A&F from the 90s too.

Tuesday, December 31, 2024

Time Is A Wild River

 


There was no meeting with an old lover in a grocery store as a piano softly played and the snow did not turn to rain in 2024. There was the potential to meet an old lover as we were in the same county in another state. I turned an invitation over and over in my mind as I watched boats on the canals of Fort Lauderdale. I crossed the Everglades, still turning it over when I stopped in his county. I withheld the invitation and neither did we happen upon each other through a chance encounter. The arbitrary boundaries on the map that compressed us into the same few square miles were not strong enough to force a meeting.

Dan Fogelberg's song is nice enough, but as much as songs may sometimes underline our reality, they do not create it.

 

I did speak with an old lover a few times this year. I wanted his side, his recollections and then after he read an advance copy of Shadow's Gravity, I wanted his opinion. Had I gotten enough right about us? His verdict was that I had in the condensed space there was for him. He said I made him sound too beautiful, but he was and still is. He invited me to meet him on a levee again, to watch the sky, talk about the future and spar over George Michael. He vowed not to slap me the next go-around. I rubbed my cheek and I chided him that I had not drowned.

 

There were deaths among my family and I saw some relatives who I had not seen in too long of a time. Life is filled with gaps and silences as much as we may say we are busy filling that time with the noise of everyday living.


My favorite moments this year were meeting my great nephew a few times and watching my nephew get married. I am not much of an advice giver, but I wished him good luck.

 

I loafed, gardened, finished writing the end of the Aviary Hill Series, read other writers, listened to music new and old, swam in the ocean (too far out as per usual), hiked and walked more miles than I could ever write about.

Carter campaign memorabilia on display at the Carter Center in Atlanta. Photos by me, March 2016.

Goodbye, President Jimmy Carter. Thank you to him for helping to preserve the Chattahoochee River.

 

At the end of this year, I kept asking myself where the time had gone, not just 2024 but all of my fifty-one years. I reflected and remembered what I wrote in Dweller On The Boundary: time is a wild river like one I swam in as a boy or watched beside the Indian mounds. Time is downstream from where I type this and it does not matter. The world keeps on spinning.

 


My favorite new song of 2024 was And Nothing is Forever from the Cure's 2024 album.


My favorite new to me old song for 2024 is Cars and Explosions (1979) by a long ago Atlanta band called The Fans.



I saw so few new films this year and that is unusual for me. My favorite among the limited selection was Sebastian.

Sunday, April 17, 2022

The San Antonio Incident

Me outside the Rothko Chapel. April 2022.

 

 I walked in Menil Park in the Montrose neighborhood of Houston. A group of fifteen young people in their early twenties lounged in the cool morning sunshine. They were probably students of the nearby University of St. Thomas. They were enjoying themselves and were loud to my middle age years, but not loud for college students. Maybe they were not loud at all and I just have sharp ears. I neared them and adjusted the strap of the overburdened leather messenger bag on my right shoulder. I was glad for my dark black Ray-Bans so that the students could not see my eyes looking at the ground. I was nervous. The San Antonio incident was less than twenty-four hours ago and my third cup of coffee had not yet fixed my morning mood.

My sleep was the standard eight hours of dead-to-the-world goodness that I can achieve in a hotel as long as I sleep on the side nearest the wall and I can see the door – old habits? Perhaps there is no way to rewire my brain after thirty-eight years. As a bonus I did not remember any dreams and the dose of melatonin must have seen to that. Before the beginning of this trip I had one vivid dream that ended in waking up covered in sweat. I dismissed it as fatigue; work on the house and the novel for the past six months caught up with me that night. Someone had written something about abuse that bothered me too, but I kept pushing it aside and knew that I would find a way to address that in time.

Montrose is hip, arty and the closest thing Houston has to a gay neighborhood, but this is Texas. I hated to concede to that thought of fear and reminded myself that yesterday was San Antonio not Houston. I remembered all of the good times I had years ago in Dallas and Fort Worth dancing and stumbling around S4 and Throckmortons. Texas can be cool. It was Cobb County, Georgia in 1995 when I was assaulted over a rainbow sticker on my car.

I was dressed in a black jacket, a dark blue shirt and dark jeans in Menil Park. It was my invisibility cloak. It was my do-not-notice-me outfit. I wished my hair was longer, but I cut it off last month and I am not twelve anymore.

Keep walking. Always keep walking. Do not stop on the side of the road in New Hope, a trail in the woods, or the streets of San Antonio. Walk.

“Hey faggot,” he called at me.

A man in his twenties secured my attention that was elsewhere. He leaned against a railing on N. Presa Street in San Antonio that I was walking past a few feet away.

I matched his voice to the background noise I heard before he called to me. I had not understood what he said before as he was of no interest to me until then. I was walking down the street in my own world in a new city to me. The surrounding streetscape was of little interest on that block and my mind must have been steps ahead on the beautiful Riverwalk.

It was early afternoon on a sunny April weekday, people passed between his menacing smile and my rock hard glare. I was stunned for seconds then my anger brought me back. I assessed the threat and my middle finger saluted the guy.

He smirked at my digital reply.

I walked away, glancing back twice to make sure I was not followed..

That was the end of the face to face encounter with the bigot. Had this been a duel we had both fired and winged each other, in chess it was a stalemate and in reality it was unfortunate. Had I been of a younger generation, I suppose I could have whipped out my phone and confronted the guy for a viral moment, but despite what the eager sales lady at the Houston Saks department store would say to me the following day, I am not of the younger generation. I am not wired to think phone first before anything else. I am grateful for the emotional maturity that I have earned.

I passed through the students in Menil Park as a ship coming into a fogged over port.

Inside the Rothko Chapel, I signed the register and sat in the security enforced silence. The worn wooden benches without backs looked like something from a rustic wilderness campground. I examined the dark paintings on every wall. This was depressing and if this experience was intended to be spiritual then the outlook was bleak. All I had was a thought of how they resembled the black monolith from the Kubrick film 2001: A Space Odyssey. I loved that film, but these paintings were like staring at the soot covered back of a fireplace. Rothko's other paintings held such power and intensity, these were as if he was resigned to the nothingness or The Nothing that wanted to devour all of Fantastica in The Neverending Story. He killed himself in 1970, not long after these were painted.

I left after five minutes. The weight inside was too much. That was a tomb inside a coma where dreams were impossible. Outside I laughed. It was the appropriate response a living person would have to shake off that darkness. I did not want that to cling to me like yesterday. The loud college students were the sound of life.

I came expecting to hear Morton Feldman's Rothko Chapel playing in the background; that might have helped with the experience some and made it more spiritual. Feldman wrote Why Patterns? which I consider to be the natural sound of New Hope and mentioned it in Dweller On The Boundary.

In the reflecting pool I saw myself. I was not invisible, but my profile was low. There was no rainbow sticker on my forehead, but the contradiction I cannot solve floated in the water like oak leaves.

A contradiction exists in how I write and how I live. It is difficult for me to reconcile this and it was the same problem when I was in broadcasting. I hated to tell people that I worked at The Weather Channel and was on radio stations across the country from New York to Los Angeles, but people would ask what I did for living as a way to measure and judge me. Work for most people is a means to an end and I no more impressed with a physician than I am the cashier at Home Depot. It felt like boasting to say that I did television voice overs, commercials and had been a disc jockey too. It brought unwanted attention from the woman that cut my hair, to drive-thru bank tellers and I suspect one guy slept with me just because of how I made money. People did not think of me that way when I had worked in a warehouse and drove a forklift between radio gigs.

My two books (and my next one this fall) are very revealing with midnight dark secrets long kept under lock and key, but I like for those books to speak for themselves. I wrote them and I lived them, but they are detached from the person I am today, though I am uncertain what the audience thinks. I live in the present, not in 1980 or 1990 or even 2021. Sometimes I believe that people expect me to be looking at the sky for a bird, sweeping away the stars on the ground, running through Rabbit Tobacco Field and being a reactionary chess player. I understand that people connected with that boy, my family,the tragedies or another part of the past on some level – all those things are me, but I do not live or think precisely the same in 2022.

When something big occurs in the present, I sometimes do share it on social media and it might not always be something good. Bad things do happen in the present and I am not one to construct a faux social media persona that consists of sunshine, rainbows and filtered selfies. The incident in San Antonio was such an occasion. A problem arises when it is expected of me to react in the same way that I would as a boy, teenager or a young man in my twenties. Life experience teaches humans to adapt in ways that lead to self improvement and for me that would be more restraint and patience. It does not mean that my passion for life is extinguished, it is a matter of keeping it under a more firm control. I learned that the only part of my existence that I control is myself. 

My reaction to the asshole in San Antonio was adequate and the incident did me no lasting harm. I was unhappy that it happened, but I was not about to give that stranger or the word faggot any more power over me. The incident shocked me, I thought about it until the next day and I let it roll off into the gutter where it belonged. My adult perspective was shaped by having been physically attacked in the long ago past and other experiences that I have written about from my childhood. Another person might react some other way and had it happened to a child or teenager then it may have caused them more lasting harm. Restraint was my best weapon against this fool on the street on this particular day. Had I reacted in kind towards him then it possibly leads to an escalated situation that could include violence. I walked away with my dignity and he will remain a miserable asshole that I never will meet again. I understand my limitations and I cannot change him if I wanted nor can I change the world; idealism is a luxury of youth and the inexperienced. There will be random assholes on the street, the highway, the mall or out hiking on a trail and I accept that. Some might think it was the perfect opportunity for a 'teachable moment,' well let me see you try to educate an asshole like that. There is no utopia and if one did exist, it would be as boring as my white sock drawer. The only safe space is in your own home and head and for some they do not even have that.

In today's culture exists a tendency to overreact to every situation as if it was a choice between life and death. I am no sociologist, but I believe that social media is in part to blame for this. Most of our challenges, setbacks and losses are not that crucial and as adults we should remember that. Another troubling trend in contemporary culture is a belief in some circles that words are equivalent to violence. If you believe that then you likely never have been subjected to actual violence. I suggest you take a fist to the face and tell me that feels the same as someone calling you a faggot on the sidewalk. They both hurt in different ways, but words do not make a face swell, make us bleed or die. As children we would say, “sticks and stones may break my bones, but words shall not hurt me.” It was a defensive rebuttal to taunts that sounded nice at the time, but it did not provide me Teflon skin against the hurtful words. I felt bad from being called a queer or faggot or other things as a child, but not once did I suffer a physical scratch from a word. It was the hidden cumulative effects of those words over years that did me harm.

Words can incite violence, but they cannot jump from a printed page, a phone screen, or a fool's mouth to break your bones. An aunt slapped me into the next day when I was a boy, the only time I was slapped as a child, and that was violence. I was in two school fights when I experienced the sick feeling of my fist driving into another boy's flesh and that was violence. A word, any word, will not make knuckles hurt. Words may grab the heart, arouse the mind, generate goosebumps, make us laugh, cry or feel an emotional response of some kind, but show me one cut, bruise or x-ray of a broken bone caused by a word.

As I have written about in Dweller On The Boundary, I was a reactionary chess player growing up and that style of play cost me more games than it won. I am not the same little boy under Robin's wing getting worked up at the stupid games of the Cannon Creek Boys. I am less reactionary as an adult and the words hurt me less. The internal scars that I wrote about do however remain. Sometimes people trip over them without knowing. I forgive them. I trip over them too. I do not easily speak of some of them. I should not have to do that, there are two books that lay out in detail what happened. You either want to know or you do not.

Thank you for reading. I keep walking.



 

Friday, September 22, 2017

Brasstown Bald

 

Brasstown Bald in the fall as seen from the parking area near the summit. Photo by me, October 2013.

Fall begins today so in the spirit of the coming cooler weather, brilliant colors and more time spent in the mountains I thought today would be a good day to write about Georgia's highest mountain, Brasstown Bald.

Brasstown Bald is an interesting name for a mountain. You wouldn't generally think of brass when you think of mountains and how it came to be called that name in English was a mistake. Prior to being settled by Europeans this area was already inhabited by the Cherokee tribe and they referred to the area as "place of fresh green." The word sounded like the English word for "brass" and so a misunderstanding lead to the unique name. The "bald" is commonly used to describe an area on a mountain with a view of three hundred and sixty degrees.

The road leading up the parking area at the gift shop/office. Photo by me, April 2014.

To get to the top of the mountain there are two ways: you can drive to near the summit and then take a shuttle operated by the U.S. Forest Service from the gift shop and office (cost $5 per person for a round trip ride) or you can hike to the top via two different trails from two different directions.

 

A large inflatable Smokey The Bear welcomes you to the parking area. Photo by me, October 2013.

I have never hiked to the top of Brasstown, though I would like to do that one day, and have on my visits driven to the gift shop and taken the shuttle.

The geographical background on Brasstown Bald is that it is part of the Appalachian Mountain chain that extends from North Georgia into southeastern Canada. Brasstown rises to 4,784 feet above sea level in elevation. It is located in far northeastern Georgia and straddles both Union and Towns counties. The next highest mountain in the state is Rabun Bald at 4,696 feet above sea level in Rabun County.

 

The visitor's center at the summit. Photo by me, October 2013.
 

Once you arrive at the top of the mountain either by shuttle or by foot you are dropped off at the visitor's center which contains a museum and observation tower.

Quilts and bears, oh my! Photo by me, October 2013.

 
Photo by me, October 2013.

 

Photo by me, October 2013.

Stuffed bears, Georgia has a sizeable population of live ones, on display along with some beautiful quilts in the museum.

 

Photo by me, October 2013.

There is even a train on display. This is a replica of the steam locomotive train the Climax that was used in the mountains in the logging industry. You can learn more about this train here



A suspicious looking forest firefighter. Photo by me, October 2013.

He's harmless. Photo by me, October 2013.

These two displays were great with the animatronics. They look crazy and might even scare your kids when they begin talking, moving and those eyes they have.

To be isolated atop the highest mountain in the state, the museum is quite good and filled with historical items and informational displays about the mountain and the area. This would be the highest museum in the state. They also show a short film about the mountain and it is interesting to see how harsh the weather can get this high into the sky.

But of course the main reason to visit Brasstown Bald is for the view.

 

Photo by me, October 2013.

 
Photo by me, October 2013.

Photo by me, October 2013.

Photo by me, October 2013.

Photo by me, October 2013.


For a first time visitor, I recommend going to Brasstown Bald in the fall when the leaves are at peak typically during the month of October, but this can vary from year to year. Brasstown is an interesting attraction any season, but expect the largest crowds during the fall. You will find it much less busy during the winter when the trees are bare and the landscape is mostly gray but visibility is often the best on a crisp winter day. During the summer it is a nice way to escape the summer heat but visibility may be limited by the haze. In spring it is a good way to see two seasons at once when the valleys below are turning green from the new spring leaves while the mountain tops are still locked in winter hibernation.

In winter and the early spring it is advisable to check the weather conditions atop the mountain before planning a visit. Snow and ice is more common than one might think and you can find the mountain road closed at the base or that the shuttle is not in service to the summit from the gift shop. I speak from experience, I have been up to the mountain in the second week of April only to find that the shuttle was not running due to ice and snow. You can of course always still make the hike to the top as the trails are never closed.

 

Ice and snow cover the mountain laurel and trees at one end of the parking area. Photo by me, April 2014.

Snow and rain fall on the distant mountain tops. Photo by me, April 2014.

 
The summit of Brasstown Bald hidden the clouds and snow as seen from the parking area. Photo by me, April 2014.

This is how it looked in the second week of April 2014 when the shuttle was not running. It was completely deserted and the top of the mountain was shrouded in the clouds. The wind that day was howling and it would have been a rough day atop the mountain if I had decided to hike up beyond the parking area near the summit, which I didn't.

I hope you have a great fall enjoying the leaves, the cooler weather and hitting the trails.

Link to the official U.S. Forest Service page for Brasstown Bald. Streaming web cam from the top facing north.
Streaming web cam from the top facing south.